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Miyawaki, Aiko,

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Amado, Jean --- Buren, Daniel --- Dubuffet, Jean --- Haber, Shamaï --- Karavan, Dani --- Kowalski, Pjotr --- Merkado, Hissim --- Mgins, Arakawa --- Miyawaki, Aiko --- Nils, Udo --- Pan, Martha --- Raynaud, Jean-Pierre --- Singer, Gerard --- Takis --- Thienen, Marcel van --- Venet, Bernar

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Depuis 1950, la sculpture retrouve la monumentalité. Depuis une vingtaine d'années, elle peut même se transformer en constructions d'espaces à l'échelle du peysage. En France, à la Défense, dans les villes nouvelles puis ailleurs, sont réalisés des projets qui, par leurs dimensions et leur signiXtions, renouvellent la fonction de l'art dans l'espace public. Comment et pourquoi? Une suite de textes théoriques et historiques ainsi que la présentation d'artistes dont les réalisations sont aussi décisives qu'exemplaires permettent d'apporter une réponse.

Public sculpture, French --- Urban beautification --- Art, Modern --- Sculpture publique française --- Villes --- Art --- History --- Embellissement --- Histoire --- Public sculpture --- Sculpteur --- Environnement, art plastique --- Paysage urbain --- Intégration plastique au site naturel --- Intégration plastique au cadre bâti --- Sculpture --- Art urbain --- 20th century --- Nils-udo --- Merkado, Nissim --- Karavan, Dani --- Singer, Gérard --- Miyawaki, Aiko --- Kowalski, Piotr --- Takis --- Pan, Marta --- Van Thienen, Marcel --- Haber, Shamaï --- Amado, Jean --- Dubuffet, Jean --- Raynaud, Jean-Pierre --- Buren, Daniel --- Venet, Bernard --- Myawaki, Aiko --- Venet, Bernar --- 20e siècle --- Sculpture publique française --- Urban beautification - France - History - 20th century --- Public sculpture - France

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Art --- Sculpture --- Painting --- art [discipline] --- painting [image-making] --- sculpting --- Saito, Yoshishige --- Horiuti, Masakazu --- Inoue, Bukichi --- Ay-O --- Fukuoka, Michio --- Fukushima, Noriyasu --- Ihara, Michio --- Iida, Yoshiyuki --- Inumaki, Kenji --- Isobe, Yukuhisa --- Ito, Takayasu --- Kawaguchi, Tatsuo --- Kojima, Nobuaki --- Koshimizu, Susumu --- Kuwayama, Tadaaki --- Maeda, Josaku --- Miki, Tomio --- Mio, Kozo --- Miyawaki, Aiko --- Mogami, Hisayuki --- Motonaga, Sadamasa --- Nakamura, Hiroshi --- Nakanishi, Natsuyuki --- Narita, Katsuhiko --- Noda, Tetsuya --- Okamoto, Shinjiro --- Onosato, Toshinobu --- Sekine, Nobuo --- Shingu, Susumu --- Shinoda, Morio --- Shinohara, Ushio --- Tada, Minami --- Tanaka, Shintaro --- Kawara, On --- Usami, Keiji --- Wakabayashi, Tsutomo --- Yamaguchi, Katsuhiro --- Yoshida, Minoru --- Yoshihara, Hideo --- Yoshihara, Jiro --- Yoshimura, Masunobu --- Yuhara, Kazuo --- Arakawa, Shusaku --- Tadanori, Yokoo --- Gempei, Akasegawa --- Kudo, Tetsumi --- Ikeda, Masuo --- Matsuzawa, Yutaka --- Takamatsu, Jiro --- Kano, Mitsuo --- Sugaï, Kumi --- anno 1900-1999 --- Japan

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Drawing on the avant-garde movements of both Expressionism and Surrealism, the women of Abstract Expressionism redefined artistic practice as an immersive arena for action, process and consciousness. Their paintings were regarded not as images but as events. Although the movement officially began in mid-century USA, it quickly – through myriad means – spread around the world and became a catalyst for redefining ideas around aesthetics, poetry, philosophy and politics. This new publication, accompanying a major European touring exhibition, will include works by 40 artists from across the globe, from well-known practitioners such as Carmen Herrera, Etel Adnan, Sandra Blow and Helen Frankenthaler, to lesser-known names from countries such as Australia, China, Iceland, Japan, Mexico, Mozambique, Romania and Venezuela: women who took up the ideas and methodologies of the movement but endowed them with specific cultural and subjective dimensions.

Painting, Abstract --- Women artists --- Art, Abstract --- kunst --- twintigste eeuw --- abstract expressionisme --- abstractie --- abstracte schilderkunst --- action painting --- 75.036 --- 7.038 --- Abbott Mary --- Adnan Etel --- Afnan Maliheh --- Armer Ruth --- Ayres Gillian --- Barbarigo Ida --- Di Benedetto Noemí --- Bergman Anna-Eva --- Biala Janice --- Bing Bernice --- Blow Sandra --- Bongé Dusti --- Chinyee --- Choi Wook-kyung --- DeFeo Jay --- Edelheit Martha --- Ehrenhalt Amaranth --- Fayoumi Asma --- Fenichel Lilly --- Fine Perle --- Fischer-Hansen --- Flack Audrey --- Fonnesbech-Sandberg Elna --- Francés Juana --- Frankenthaler Helen --- Gechtoff Sonia --- Godwin Judith --- Gómez-Sánchez Gloria --- Gramcko Elsa --- Grilo Sarah --- Hartigan Grace --- Holt Lilian --- Johnson Buffie --- Katsura Yuki --- Khal Helen --- De Kooning Elaine --- Krasner Lee --- Lassnig Maria --- Lazzari Bice --- Lifang --- Lopes Bertina --- Mellis Margaret --- Minujín Marta --- Mitchell Joan --- Miyawaki Aiko --- Mohalyi Yolanda --- Mohamedi Nasreen --- Nakano Emiko --- Nikel Lea --- Ohtake Tomie --- Ostrower Fayga --- Pardo Mercedes --- Park Charlotte --- Parsons Betty --- Passlof Pat --- Rahon Alice --- Rama Carol --- Raymond Marie --- Reigl Judit --- Remington Deborah --- Ringvall Britta --- Rosenstein Erna --- Sadr Behjat --- Saikali Nadia --- Sánchez Zilia --- Sanín Fanny --- Schapiro Miriam --- Schumann Sarah --- Schwabacher Ethel --- Sekula Sonja --- Shinoda Toko --- Snowden Sylvia --- Sobel Janet --- Springford Vivian --- Themerson Franciszka --- Thomas Alma --- Thomas Yvonne --- Thun Hedwig --- Tryggvadóttir Nína --- Vaudrey Elsa --- Vieira da Silva Maria Helena --- West Michael --- Abstraction lyrique